Entry-17 Final Bibliography

In my final paper post I neglected to attach my final bibliography since it would have made an already lengthy post even longer. I provide it here in case people had questions:

al-Badiya, Bahithat “A Lecture in the club of the Umma Party (1909)” in Opening the Gates, edited by Margot Badran and Miriam Cooke, 227-238. Indianapolis: Indiana University Press, 1990.

Amin, Qasim “The Liberation of Women (1899)” In The Essential Feminist Reader, edited by Estelle B. Freedman, 145-152. New York: The Modern Library, 2007.

Baron, Beth “Nationalist Iconography” in Rethinking Nationalism in the Arab Middle East, edited by Israel Gershoni and James Jankowski, 105-124. New York: Colombia University Press, 1997.

Booth, Marilyn “ ‘May Her Likes Be Multiplied’: ‘Famous Women’ Biography and Gendered Prescription in Egypt, 1892-1935” in Signs 22, no.4 (Summer 1997): 827-890.

Cole, Juan Ricardo “Feminism, class, and Islam in Turn-of-the-Century Egypt” in International Journal of Middle East Studies13, no. 4 (Nov 1981): 387-407.

Gershoni, Israel and James Jankowski. Commemorating the Nation: Collective Memory, Public Commemoration, and National Identity in Twentieth-Century Egypt. Chicago: Studies on the Middle East, 2004.

Kane, Patrick “Egyptian Art Institutions and Art education from 1908-1951” in The Journal of Aesthetic Education 44, no. 3 (2010): 43-68.

Karnouk, Liliane. Modern Egyptian Art 1910-2003. New York: The American University in Cairo Press, 2005.

Lopez, Shaun T. “Madams, murders, and the media : Akhbar al-Hawadith and the emergence of a mass culture in 1920s Egypt” in Re-envisioning Egypt 1919-1952.edited by Arthur Goldschmidt, Amy J Johnson, and Barak A Salmoni, 371-397. New York: American University in Cairo Press, 2005.

Lopez, Shaun T. “The Dangers of Dancing: The Media and Morality in 1930's Egypt” in Comparative Studies of South Asia, Africa, and the Middle East 24, no. 1(2004): 97-105.

Malti-Douglas, Fedwa. “Of Goddesses and Men” in Men, Women, and God(s): Nawal El Saadawi and Arab Feminist Poetics, 141-158. Berkeley: University of California Press.

Meskell, Lynn “Size Matters: Sex, gender and status in Egyptian iconography” in Redefining Archaeology Feminist Perspectives, edited by Mary Case, Denise Donlon, Jeannette Hope, and Sharon Wellfare, 175-181. Canberra: ANH Publications, 1998.

Moussa, Helene “Modern Egyptian Art Context & Expression” in Marguerite Nakhla: Legacy to Modern Egyptian Art, edited by Fr. Marcos A Marcos, Helene Moussa, and Carolyn M. Ramzy, 1-12. Scarborough: St. Mark’s Coptic Museum, 2009.

Nabarawi, Saiza “Double Standard (1925)” in Opening the Gates, edited by Margot Badran and Miriam Cooke, 279-281. Indianapolis: Indiana University Press, 1990.

Ostle, Robin “Modern Egyptian Renaissance Man” Bulletin of the School of Oriental and African Studies 57, no. 1 (1994): 184-192.

Reid, Donald. Whose Pharaohs?. Los Angeles: University of California Press, 2002.

Russell, Mona. “Marketing the Modern Egyptian Girl: Whitewashing Soap and Clothes from the Late Nineteenth Century to 1936” in Journal of Middle East Women’s Studies 6, no. 3 (Fall 2010): 19-57.

Ryan, Nigel “Short-changed by History.” Al-Ahram Weekly, 14-20 February 2002. http://weekly.ahram.org.eg/2002/573/cu6.htm

Sharaawi, Huda. Harem Years: The Memoirs of an Egyptian Feminist (1879-1924).London: Virago Press, 1986.

Sharouny, Sobhy. Memory of the nation: sculptor Mahmoud Mukhtar & his museum, 1891-1934, edited by Dr. Sobhy Sharouny, Cairo: Al-dar Al-masriah Al-lubnaniah, 2007.

Shorter, Alan W. The Egyptian Gods. Boston: Routledge & Kegan Paul, 1979.

Said, Hamed. Contemporary Art in Egypt. Jugoslavija, 1964.

Thomas, Angela P. Egyptian Gods and Myths. Haverfordwest: Shire Publications LTD. 1986.

Wood, Michael. “The Use of the Pharaonic Past in Modern Egyptian Nationalism” in Journal of the American Research Center in Egypt 35, (1998): 179-196.

Youssef, Magdi “Mahmoud Mokhtar(1891-1934)” in The UNESCO Courier (July/August 1993): 78.